Lamborghini Egoista HD 2014 Single Seater Debut Commercial Walter de Silva Anime Manga Carjam TV

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The Lamborghini Egoista is a limited production sports car unveiled by Lamborghini. It was built to celebrate the company's 50th anniversary. Only one Egoista will be made, and it is a fully functioning model based on the Gallardo. It features a 5.2 L (317 cu in) V10 engine producing 600 hp (447 kW; 608 PS).[1]

The Egoista has a unique canopy door and the cockpit, which is modeled after a modern fighter jet and completely removable, has only one seat for the driver. The steering wheel must be removed to enter and exit the vehicle.[1]

The unique exterior of the Egoista is meant to resemble a bull ready to charge if looked at from the side.[1] The lighting resembles that of a modern airplane, with sidemarkers and indicators on the sides and top of the car as well as front and rear. The bodywork consists of active aerodynamic panels that raise and lower for optimum downforce and stability. The body and wheels are made of antiradar material to even more identify with jet fighters.

In Italian, Egoista literally means "selfish". According to the model's designer Walter de Silva, the Egoista "represents hedonism taken to the extreme.
Anime (Japanese: アニメ?, [a.ni.me] ˈænɨmeɪ/ or /ˈɑːnɨmeɪ/) are Japanese cartoons and computer animation.[1] The word is the abbreviated pronunciation of "animation" in Japanese. In English, the term is defined as a style of animation originating in Japan, which often features colorful graphics, vibrant characters and action-filled plots with fantastic or futuristic themes.[2] The intended meaning of the term sometimes varies depending on the context. While the earliest known Japanese animation dates to 1917, and many original Japanese animations were produced in the ensuing decades, the characteristic anime style developed in the 1960s—notably with the work of Osamu Tezuka—and became known outside Japan in the 1980s.
Both hand-drawn and computer-animated anime exist. As the market for anime increased in Japan, it also gained popularity in East and Southeast Asia. Anime is currently popular in many different regions around the world.
Anime has become commercially profitable in Western countries, as demonstrated by early commercially successful Western adaptations of anime, such as Astro Boy .[63] The phenomenal success of Nintendo's multi-billion dollar Pokémon franchise[64] was helped greatly by the spin-off anime series that, first broadcast in the late 1990s, is still running worldwide to this day. In doing so, anime has made significant impacts upon Western culture. Since the 19th century, many Westerners have expressed a particular interest towards Japan. Anime dramatically exposed more Westerners to the culture of Japan. Aside from anime, other facets of Japanese culture increased in popularity.[65] Worldwide, the number of people studying Japanese increased.
They generally incorporate stylizations, methods, and gags described in anime physics, as in the case of Avatar: The Last Airbender. Some creators cite anime as a source of inspiration with their own series. Furthermore, a French production team for Ōban Star-Racers moved to Tokyo to collaborate with a Japanese production team from Hal Film Maker.
Some American animated television-series have singled out anime styling with satirical intent, for example South Park (with "Chinpokomon" and with "Good Times with Weapons"). South Park has a notable drawing style, itself parodied in "Brittle Bullet", the fifth episode of the anime FLCL.
Anime conventions began to appear in the early 1990s, during the Anime boom, starting with Project A-Kon, Anime Expo, Animethon, and Otakon.
The Japanese term otaku is used as a term for anime fans beyond Japan, more particularly the obsessive ones. The negative connotations associated with the word in Japan have lessened in foreign context, where it instead connotes the pride of the fans. The 1970s saw a surge of growth in the popularity of manga -- many of them later animated. The work of Osamu Tezuka drew particular attention: he has been called a "legend"[16] and the "god of manga".[17][18] His work -- and that of other pioneers in the field -- inspired characteristics and genres that remain fundamental elements of anime today. The giant robot genre (known as "Mecha" outside Japan), for instance, took shape under Tezuka, developed into the Super Robot genre under Go Nagai and others, and was revolutionized at the end of the decade by Yoshiyuki Tomino who developed the Real Robot genre. Robot anime like the Gundam and The Super Dimension Fortress Macross series became instant classics in the 1980s.
http://en.wikipedia.org/wiki/Anime